READING FOR KNOWLEDGE

 [The association of language arts mainly with fiction and poetry is an accident of recent intellectual history that is not inherent in the nature of things.]

For many years, the great reading researcher Jeanne Chall complained that the selections offered in language arts classes did not provide students with the knowledge and language experiences they need for general competence in reading. She observed that far too much time was being spent on trivial, ephemeral fictions and far too little on diverse nonfictional genres. In the two decades since Chall entered this complaint, little has changed. Most current programs still assume that language arts is predominantly about "literature," which is conceived as poems and fictional stories, often trivial ones meant to be inoffensive vehicles for teaching formal skills. Stories are indeed the best vehicles for teaching young children—an idea that was ancient when Plato reasserted it in Republic. But stories are not necessarily the same things as ephemeral fictions. Many an excellent story is told about real people and events, and even stories that are fictional take much of their worth from the nonfictional truths about the world that they convey.

The association of language arts mainly with fiction and poetry is an accident of recent intellectual history that is not inherent in the nature of things. Older American texts that were designed to teach reading, such as the McGuffey Readers, contained moral tales and historical narratives as well as fictional stories (not that we should go back to the McGuffey Readers, which have many shortcomings). Ideally, a good language arts program in the early grades will contain not only fiction and poetry but also narratives about the real worlds of nature and history. Ideally, such a program will fit in with and reinforce a well-planned overall curriculum in history, science, and the arts. The recent finding that word learning occurs much faster in a familiar context implies that the overall program should stay on a subject-matter domain long enough to make it familiar. As we've seen, such integration of content in reading and subject-matter classes will serve simultaneously to enrich background knowledge and enlarge vocabulary in an optimal way.

That fictional stories can convey factual and moral truths is the traditional ground for defending their value and importance in education. The truth-telling and knowledge-enhancing aspect of fiction is emphatically just as important as the aspect of fiction and poetry that stimulates children's imaginations. The romantic idea that literature should mainly nurture the imagination fits in well with the generally romantic flavor of early childhood education in the United States today. I do not wish to appear in any way hostile to developing children's imaginations. But the second- and third-rate fictions that are too often presented to children in the early grades are far less stimulating to their imaginations than classical stories and well-presented narratives about the real world.

We need to reconceive language arts as a school subject. In trying to make all students proficient readers and writers, there is no avoiding the responsibility of imparting the specific knowledge they will need to understand newspapers, magazines, and serious books directed at the national language community. There is no successful shortcut to teaching and learning this specific knowledge. Those who develop language arts programs at the school level or in publishing houses must understand that the skills they wish to impart are in fact knowledge-drenched and knowledge-constituted. The happy consequence will be reading programs that are much more absorbing, enjoyable, and interesting than the disjointed, pedestrian programs offered to students today.

E.D. Hirsch, The Knowledge Deficit: Closing the Shocking Education Gap for American Children. 2006 Houghton Mifflin Harcourt. Kindle Edition.